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УДК: 811.161.1/101.78 DOI:10.33920/nik-01-2505-03

Русские философы о музыке (исторический экскурс)

Клюев Александр Сергеевич* ФГБОУ ВО «Российский государственный педагогический университет им. А.И. Герцена», Россия, 191186, г. Санкт-Петербург, наб. р. Мойки, д. 48, E-mail: aklujev@mail.ru, ORCID: 0000-0002-8643-930X

В статье рассматривается динамика представлений о музыке русских философов. В связи с этим уточняется статус русской философии, ее самобытное лицо. Показано, что русская философия базируется на византийских философско-мистических традициях, но вместе с тем воплощает основной постулат русской культуры (русскости): утверждение духовности как нравственного подвига — служения созиданию и противления разрушению (уничтожению). В соответствии с указанной установкой русской культуры определяется феномен русской философии. Утверждается, что русская философия — решение нравственной задачи победы над смертью. В контексте такого понимания русской философии и исследуются особенности развития трактовки музыки русскими философами. Заявляется, что в ходе развития данной трактовки музыка все отчетливее осознавалась русскими философами как мощнейшее средство, способствующее победе над смертью, более того — как свидетельство возможности победы над смертью.

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(1) By the way, this position is not original. It was stated before, e.g., by B.V. Yakovenko [29].

(2) This section of the article exists as a separate article in Russian, English and Italian,

see: [11; 16; 17].

(3) For more information on the topic of the article, see: [12–15].

* Сайт автора: http://aklujev.ru.

Статья поступила 27.12.2024.

Статья одобрена к публикации 21.01.2025.

The question of Russian philosophy is not an easy one. Let us try to figure it out.

Initially, it is significant to say that Russian philosophy is inextricably linked with Orthodoxy. Russian philosophers constantly emphasized this connection. Let us at least refer to the statement of V.V. Zenkovsky: “Russian thought has always (and forever) remained connected with its religious element, with its religious soil; here was and remains the main root of the originality... of Russian philosophical thought” [30, p. 18].

Today, in Russian philosophical literature, there is a clear idea that the connection of Russian philosophy with Orthodoxy (“with its religious element”) does not indicate its originality: Russian philosophy is permanently connected with Western philosophy, and is a stage of its development (1). On what basis is this point of view put forward?

Authors who adhere to this approach believe that Russian philosophy interacts not with canonical, strict Orthodoxy but with its innermost deep core, which is Gnosticism. For example, as I.I. Evlampiev stated, “the constant attraction of Russian philosophy and all Russian culture to the Gnostic worldview does not raise any doubts. This fact has not received due recognition in the literature for a long time only due to the established tendency characteristic of church and Orthodox-oriented authors” [3, p. 9].

Such scientists believe that the Gnostic mentality was intensively strengthened in the West, starting from the late Middle Ages: Bernard of Clairvaux, Meister (Johann) Eckhart, etc., and hence, Russian philosophy is connected with Western philosophy. But what is Gnosticism?

Gnosticism is a complex and not fully defined phenomenon. According to the German-American philosopher Hans Jonas, an authority in this field, “we can speak of Gnostic schools, sects and cults, Gnostic works and teachings, Gnostic myths and speculations, and even of Gnostic religion” [7, pp. 47–48]. Jonas concludes that Gnosticism is a kind of fusion of Hellenistic philosophy and Eastern sources while noting that “in general, ...the thesis about the Eastern (Oriental) origin of Gnosticism has an advantage over... that is Hellenic” [7, p. 49].

Для Цитирования:
Клюев Александр Сергеевич*, Русские философы о музыке (исторический экскурс). Вопросы культурологии. 2025;5.
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