This paper is devoted to the topic of distance learning for students. This form of training has become common in Russia in conditions of high risk of COVID-19 coronavirus infection. However, there are concerns that distance learning will become the norm. Meanwhile, the consequences of this may be negative, as education, promotion of moral growth of students will become essentially impossible. The entire education system will be reduced to informing students about certain disciplines. Thus, distance learning should not take the form of a daily norm in the education system.
The paper analyzes the existence of several “cultural societies” in the composition of one nation that took shape in the course of history on the basis of historical social-functional cultures — traditional, creative and popular. The characteristics of these cultures and the societies focused on them are given.
The review presents a new book by Corresponding Member of the Russian Academy of Education Vladimir Georgievich Maransman — a translation from Italian of the Book of Songs (Canzoniere) by Francesco Petrarch. This translation is a real event in the history of modern Russian culture, since it turned out to be one of the first full translations into Russian of the main book of the great Italian poet of the Renaissance, the first lyric poet in the history of European poetry — Petrarch, made by one translator. The translation was carried out taking into account the long tradition of Russian translations of Petrarch poetry and has a significant amount of author's text (poet's property). The translation uses the original method of V. G. Marantsman, already used in his previous work — the full translation of Dante’s “Divine Comedy”, and which has been recognized by many readers and critics; a method of conveying the stylistic features of Italian poetry of the era of its occurrence by similar means of the Russian language.
The era of nationalism is characterized by the emergence of sociocultural myths, the main function of which is to adapt myth consumers to the new reality. A study of the diortic projects of China in the 19th century, which have become transitional elements of the main national myth “China is a great state and a family of peoples, each of which has its own specifics and identities”, is relevant at the present stage when the PRC is actively building a powerful national state. The novelty of the study is to highlight the sociocultural myth as an ontological modular system in the corps of the Chinese national myth.
The era of nationalism is characterized by the emergence of sociocultural myths, the main function of which is to adapt myth consumers to the new reality. A study of the diortic projects of China in the 19th century, which have become transitional elements of the main national myth “China is a great state and a family of peoples, each of which has its own specifics and identities”, is relevant at the present stage when the PRC is actively building a powerful national state. The novelty of the study is to highlight the sociocultural myth as an ontological modular system in the corps of the Chinese national myth.
Reference book is addressed to students studying the theory and history of traditional applied art. It is a set of materials for self-extracurricular work. There are of the questions and tasks for research, artistic and creative activities, information and reference materials, dictionaries and references. The presented theoretical and practical material reveals the main aspects of the existence of traditional applied art in Russia, the logic of development, successive artistic and stylistic features of the language of its specific types.
It is reasonable to develop the philosophy of law as a single socio-humanitarian discipline, and there is no epistemological need to divide it into “philosophical philosophy of law” and “legal philosophy of law”. The interpenetration of philosophy and law is possible, because love of wisdom has a lawgenetical potential, and jurisprudence contains a socio-philosophical potential. For the first time, the proposed explication of philosophical lawgenetical structures serves as a theoretical defense against belittling the role of philosophy in the formation of law and in the performance of its functions. Legal progress is guided by the values of humanistic philosophy.
On the basis of the ideology of “rational egoism” described by V.M. Rosin, analyzes the processes of social and cultural dynamics, which are expressed in the formation of new sociocultural institutions, such as multiple citizenship, new types of interpersonal relations (civic partnership), multilingualism, gig economy, electronic media.
The first book of the untimely departed literary critic Vladimir Krasnokutsky (1943–1980) is considered. Spreading a colossal white spot on the research map of Russian literature in the form of a certain "secondary" genre of memoir literature with its installation on absolute truth and at the same time very rough, arbitrary implementation with confidence, can now take its full place on the general literary map. The block of materials on the literary society "Arzamas" with its unique concentration of the playing principle in Russian literature will also not be lost in the "Arzamas text" that has already developed by now. The relevance of future readings of Pushkin, Turgenev, Dostoevsky, Solzhenitsyn is shown.
The first book by the dearly departed literary critic Vladimir Krasnokutsky (1943-1980) is considered. In the form of a certain “secondary” genre, memoir literature, with its aim to be absolutely true and at the same time with its relatively proximate, selectable way of realising this truth, has spread like a colossal blank spot on the research map of the Russian literature. Now, the genre of memoir literature can take its full place on the general literary map. The block of materials on the literary society “Arzamas” with its unique concentration of the play principle in the Russian literature will also not be lost in the “Arzamas text” that has already developed by now. The relevance of future interpretations of Pushkin, Turgenev, Dostoevsky, and Solzhenitsyn is shown.
